F*cking Kabbalah
It's the simplest recipe for success. You're a pop megastar with a twenty year career, something like 60 million albums sold, at least 50 hit singles and an athletic body that looks at least fifteen years younger than your age. You have millions of fans ready to shell out upwards of $300 a ticket for a concert. You've got billions of dollars of personal assets, access to the best choreographers, producers, promotors and videographers in the world and a stadium in every major city willing to let you play. All you have to do is play some old favorites, remix a few songs to spice things up and grind your breasts against half-naked male dancers and your fans will be screaming for more all night and into the wee hours of the morning.
Or you could do what Madonna did with her "Re-Invention Tour"...
I don't think there's any good place to begin, other than the beginning. Madonna (Esther) rises on stage in a toned-down version of her bustier days and does some yoga to "Vogue". We stayed seated because we were wating for her to warn us up. After a song that nobody seemed to recognize (which Madonna must have figured because she kept flashing the lyrics up on the screen) she stood in front of a mike stand and sang "Frozen" while a Chris Cunningham video played in the background. I hate that song but would have forced myself to get into it if I had known that it was just going to go down hill from there.
I'm not entirely sure when she lost me. It may have been her electric guitar rendition of "Material Girl". Or maybe it was when the wimple- and burkha-clad women came dancing with her on the catwalk during "American Life." Or possibly when she broke into a jazz version (a jazz version!) of "Deeper and Deeper." It's entirely possible that it was during her horribly choreographed rendition of "Die Another Day" which ended with her being strapped into an electric chair (an electric chair!) and having to endure a song from Evita, and not one of the popular songs you'd recognize immediately either (and believe me, if anyone should have recognized it, it should have been me).
It could have been at any one of those moments. But I know which moment got her heckled (by people other than us, who were doing our fair share of heckling). It was when she informed us that she was about to perform a "no-sitting down song" (and if you have to tell your audience not to sit, you're doing something wickedly wrong) and she broke into "Like a Prayer." I don't know what the hell she did to it but that song was more exciting when I used to listen to it on cassette in my old Buick Skylark with one broken speaker than being performed live by Madonna in a 20,000 seat stadium. Maybe it was the slower than natural tempo or the entirely un-ironic beating Sacred Heart and crucified Christ looming behind her. But my guess was that it led into a cover of a song that, and I quote the material girl verbatim, "was written 35 years ago but sounds like it could have been written today." Oh yes, my brothers and sisters, Madonna/Esther serenaded us with "Imagine" (yes, that "Imagine") while we were subjected to images of impoverished Palestinian children and starving Africans, ending in a commercial (a commercial!) for SpiritualityForKids.org. Yes, ladies and gentlemen, the great Madonna was booed. Unfortunately not off-stage. Although I am curious to know if she appreciated the irony of singing the line "don't tell me to stop"...
I don't mean to be too negative, though. There were some highlights. We got to hear "Burning Up", a great version of "Crazy For You" and "Hanky-Panky", which unfortunately wasn't nearly as dirty as it should have been. But where was "Like a Virgin", "Ray of Light" and "Beautiful Stranger"? Where was the energy?
I'll tell you where the energy got into sucked to: Kabbalah.
Our evening was summed up best as we were forced to trek through the ghetto to get to the subway and were stopped by a homeless man asking for change. The boy replied: "Sorry, I just gave all my money to Madonna, but believe me it would've been better spent giving it all to you."
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